About me.

Hello, Thank you for your interest in me and my work and taking the time to visit my website. Before being an actor, I am a human being with dreams and fears. Some people say I´m a bit intense, however, I know that what they perceive as intensity is rather passion. I have many friends all over the world and I can be very social, but I´m also a bit of a hermit at times. I love and very much enjoy being with myself. Contrary to popular belief, I chose acting because I never learned to lie. It wasn’t until recently that I found out the world is full of liars. For me acting is finding truth in every word, every emotion, every action, and making it your own.

I am and will forever be a student. Not just an acting student but a student of life. I have had the fortune of having many guides. Besides the numerous and super talented theatre, film, and TV teachers I´ve had the honor to work with, I currently also continue evolving and working on my personal growth with the help of many experts in different areas, such as Jim Kwik, Srikumar Rao, Marisa Peer, Fresia Castro, Rev. Michael Beckwith, Eric Edmeades, David Wolfe, Alvaro López Waterman, Dr. Edward Group, Dr. Mercola, and Dave Asprey, to mention just a few.

I found out I communicate with God better in nature than at Church. I need to ski. Gliding on snow for me is life, not a lifestyle. I love sunrises at the beach and sunsets in the mountains. I´m a romantic by nature and once I serenaded someone.

I finished growing up in Princeton, NJ and New York City, which made me do something I never wanted to do, now I admit it with love: I often speak Spanglish. My brain often thinks in two languages and sometimes even in three languages. Even though I´ve been back in Mexico City for almost a decade, I dream and write to myself in English and Spanish. That’s how I communicate with my guides all day (my spirit guides, not just my human form guides), and though I try to avoid it, sometimes I can´t help it when I´m trying to communicate with the rest of the world.

Gallery.

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Educación & Actuación
Educación & Actuación
Educación & Actuación
Educación & Actuación
Educación & Actuación
Educación & Actuación
Educación & Actuación
Educación & Actuación
Educación & Actuación
Educación & Actuación
Educación & Actuación
Educación & Actuación
Educación & Actuación
Educación & Actuación
Educación & Actuación
Educación & Actuación
Educación & Actuación
Educación & Actuación
Educación & Actuación
Educación & Actuación
Educación & Actuación
Educación & Actuación
Educación & Actuación
Educación & Actuación
Educación & Actuación
Dirección & Producción
Dirección & Producción
Dirección & Producción
Dirección & Producción
Dirección & Producción
Dirección & Producción
Dirección & Producción
Dirección & Producción
Dirección & Producción
Dirección & Producción
Dirección & Producción
Dirección & Producción
Dirección & Producción
Dirección & Producción
Dirección & Producción
Dirección & Producción
Dirección & Producción
Dirección & Producción
Dirección & Producción
Dirección & Producción
Dirección & Producción
Dirección & Producción
Dirección & Producción
Dirección & Producción
Dirección & Producción
Dirección & Producción
Dirección & Producción
Dirección & Producción

News.

"STOP KISS” Press
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“Claudia Nin who plays Callie and Alondra Pavón who plays Sara, own the text, which allows the building of their characters to acquire the naturality needed for the development of the relationship between the two characters.”
Luis Santillán
CARTELERA DE TEATRO

“Amunátegui allows the text to flow organically and freely, achieving in some scenes true intimate moments between Callie and Sara… Alondra Pavón as Sara projects, in a sustained way, the personality of an out of town girl full of illusions and energy, ready to devour the world with her dreams of becoming a teacher in the Bronx, showing in a much more tangible way the different colors that her character demands.”
Juan Carlos Araujo
ENTRETENIA

“…Stop Kiss, great play that is a sum of hits which are worth detailing… it´s a good example of how creativity has nothing to do with budget, and that talent is the first thing to be taken into account when building a team.”
Hugo Hernández
TRAS BAMBALINAS, MILENIO

“The performances of everyone in the cast are outstanding, they are where they are meant to be in time and form. These kind of stories must definitely be told, exposed… it´s a play that without intention or lectures provokes conscience.”
Fernando Santacruz
SUBALE AL TEATRO

“They interrupt kiss to reflect”
Enrique Navarro
REFORMA

“Theatre which uninhibits, exposes, and questions.”
Zavel Castro
APLAUDIR DE PIE

“Stop Kiss is one of those plays that marks you and you never forget… like your first love.”
Abner Vélez Ortiz
DONDE IR

“If romance has always taken you by surprise, you will identify with the message that Stop Kiss has to offer, play opening at Teatro Milán.”
Clarisa Anell
REFORMA - PRIMERA FILA

“After a three month run and 30 performances, the play “Stop Kiss” by Diana Son, issued a conmemorative plate where Luis Mandoki did the honors to unveil it. He commented “I liked it very much, the story as well as the direction, the acting, costumes and the rest.”
RADIO FORMULA

“The Facebook campaign designed for the play is a proof of the power social networks have to inform, to get noticed, and overall, the power well written messages have to make you imagine what a product has to offer.”
Johana Trujillo
DISTRITO TEATRAL

Stop Kiss is about to close and to continue spilling love for Valentine´s day, you can not miss this play by Diana Son, directed by Sebastián Sánchez Amunátegui.”
ANIMAL POLÍTICO